14.
Gurbaani Raag Tilang
Favoured
by Muslims, this raga occurs in the Ragmala as a ragini of Hindol. Today, it
belongs to the Khamaj thata. Tilarig was used by Guru Nanak (6 hymns), Guru
Ram Das (3), Guru Arjan (5), Guru Tegh Bahadur (3), Kabir (1) and Namdev (2)
for a total of 20 hymns. Tilang is performed at night and has a calm and
pleasing mood. In the texts composed for this raga, the question is asked
why man should cling to all the evils of this life when Guru Nanak has shown
the wav to true happiness and fulfilment.
Aroh
Sa Ga Ma Pa Ni Sa :
Avroh
Sa Ni Pa Ma Ga Sa
Vadi
Ga
Samvadi
Ni
Introduction
According
to Mahan Kosh of Kahn Singh Nabha, raga Tilang belongs to Bilawal thath.
This raga is also called raga Trikiling and Triling associating it with
three Shivlings found at mountains Shail, Kalesar and Bhimeser in Southern
India. According to Hanumant School of music it is a ragini of raga Hindol.
This
raga is included in the Ragamala listed at the end of Guru Granth Sahib.
The
scale and notes of the raga are as follows:
Arohi
(ascending scale) - sa ga ma pa ni sa
Avrohi
(descending scale) - sa ni pa ma ga sa
The vadi
(most popular) note is 'ga' and samvadi (second most popular) note is 'na'.
This
raga is sung at the third part of the day i.e., from 12 a.m. to 3 p.m. The
season of its recitation is rainy (varsha) i.e., during July and Agust. In
Guru Granth Sahib it has hymns from pages 721 - 727( 7 pages).
The Composers
The
composers of bani (hymns) in this raga are:
Gurus
-
Guru Nanak
-
Guru Ramdas
-
Guru Arjan Dev
-
Guru Tegh Bahadar
Bhagats